![]() To solve this I just use a copy of the the spotlight workspace and create shortcuts for those things I use the most.Ĩ. There are tons of them that make your life much easier when drafting but when you move into the spotlight workspace many of the common light plot functions like, insert an instrument and label legend manager don’t have a shortcut. Keyboard shortcuts save you time and make you money, learn them. That file will show up as a standards option next time you go to create a new class and will bring that information into your new file.ħ. Another trick is to save your base file as a template in the Standards folder which is in the Default folder that is in the Libraries folder in Vectorworks. If you work in multiple spaces create a file with all your favorite symbols, title blocks and legends then add that file to your resource browser so you can easily retrieve them. After that first plot delete your instruments and save it as a base file with all your edited symbols, classes and new title blocks. If you work in a space more than once don’t re invent the wheel. I tent to take that style and add it to my legend for consistency.Ħ. This can be achieved simply by adding a graphic or having and irregular side. The title block can really make the plot look good, take a look at architectural drawings, architects take great pride in designing a unique title block that can easy be recognized. Don’t be satisfied with the standard block title block or the one provided by your lighting program. (I did that once on a Christmas Carol Plot)Ĭhristmas Carol Plot 2006 too many colorsĥ. ![]() I use as very tight color palette because I don’t want it to end up looking like a rainbow. Red should only used when something is really important, it tends to draw the eye to it first. Color should be used conservatively, avoid colors like yellow that don’t print well or pink that just looks unprofessional. It works best for a multi-set show where just using black or gray would only confuse the issue. Use it just as you would and in conjunction with line weight, a brighter color is used to highlight something important and lighter colors can be used on things like the set to pull it into the background. Color can be used to help emphasize or recede an object in the drawing just as line weight does. Now that color printing has come down in price it is not unusual to have access to a large format color printer. I have rigorously debated this topic for several years now and know I am still in the minority. I saw this first on a hand drafted plot by Donald Thomas and adapted it to cad.Ĥ. I then that mark and shade it or fill it in, which makes it really easy to see the difference from further away from the plot. I do two things to the symbol, I add a mark in the barrel of the symbol and use the USITT recommended practices to denote the field angle. Once you get a couple feet away from the plot its hard to tell the difference in symbols. I work in a lot of houses with the ETC Source 4 instrument and Vectorworks uses small gray letters to show the difference between a 36degree and 50degree. The other change I make to the symbols has to do with the instrument field angle degree. 5mm line weight but have used anywhere form. First the basic symbols in Vectorworks have a very thin line and they tend to get lost in a light plot. Don’t use the standard Vectorworks lighting symbols. In the case of the magic sheet I can reuse the set and space drafting I did for the plot and when the set gets an update I make one change that updates my plot and magic sheet.ģ. By turning on and off classes I can get to the information quickly. I don’t have to take lots of time jumping from one file to the next. I have found its easier to have all the data in one location. I create a file that contains not only the plot but section and magic sheet. I use classes to manage my line weights but also to organize my plot for several different uses.
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